05 — Brand Storytelling
Brand Storytelling
Story-led brand films that earn attention instead of asking for it.
Guangzhou, Forward
(广州向前)
City of Guangzhou Brand Film
At a glance
Client
City of Guangzhou
Timing
Released during the Canton Fair
Format
5-minute city brand film, Chinese and English subtitles
Role
Concept & storyboard · Assistant director · Cinematography · Post-production
Result
30M+ views across platforms
01
The Brief
For centuries, Guangzhou has been China’s door to foreign trade. The city commissioned a film to promote itself during the Canton Fair, when buyers from around the world arrive. Most city films show skylines and list achievements. Viewers have seen every skyline, and a list gives them nothing to remember.
02
The Insight
Skylines look alike. Histories don’t.
Any major city can film towers at sunset. No other city has Guangzhou’s century: the first Canton Fair, one of the first American ads in a Chinese newspaper, China’s first beauty pageant, an early hub of China’s internet. The strongest case for Guangzhou’s future was its own record.
03
The Idea
One train. One century. One city.
In 1911, on the newly opened Guangzhou–Kowloon Railway, passengers debate the coming revolution. One of them says China is like the train they are riding: it can only move forward. Railway pioneer Zhan Tianyou sits in the same carriage. Then the train keeps going for a hundred years, and each era is a new carriage. Near the end, a high-speed train announces “Next stop, Guangzhou,” and the film cuts back to 1911: “Mr. Zhan, we have arrived in Guangzhou.” The city opens up on screen, and the title lands.
04
Why It Works
The story sells the city. A porcelain maker, a clothing trader, a man who quits a safe job: every passenger is heading to Guangzhou for an opportunity. The city is never pitched. It is simply where everyone chooses to go, and that is the message for every buyer and investor watching.
History is the proof. Each era is a reason to believe. “Forward” is not a claim the city makes about itself. It is a conclusion drawn from a century of evidence.
The ending pays off the beginning. The line spoken in 1911 returns as the film’s title, so the brand line closes the story instead of interrupting it. Every era reads at a glance. Each carriage has its own color grade and typography, so viewers can read the decade before anyone speaks.
I developed the concept and storyboard, then served as assistant director and worked on cinematography and post-production.